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萬科靜謐之境作品

室內設計 · 居住空間

林澤明

安澤空間設計事務所設計總監

2021/11/22 3523

我們在本案設計初始，設想是一種空間、氛圍、結構和景觀的融合。自由地思考，延展感知，盡可能超越刻板的空間印象。 所望皆山海 從容天地寬。 在日本能劇中，兩個拍子間均有不同長度的停頓，這種停頓為“間”。“間”作為一種觀察事物的方式備受推崇。相較于實體的物件和具象的聲音，更注重兩者之間的空白和靜寂，而對這種停頓的掌控也是衡量大師與普通藝人的一種區別。而本案中對于空間留白和尺度的把控，正是與這種獨特的審美取向不謀而合。以“大巧不工”的輕松手法傳遞設計者的獨特。

主站蜘蛛池模板： | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |